On second thought (Aprildaily post-mortem part 2)

New Pens, black and white photograph on andreabadgley.com

I wrote yesterday that I had to forget the reader in order to complete my #Aprildaily project. I wrote that in order to publish a ten-minute free write every day, I had to pretend nobody would read what I wrote.

When I hopped in the shower after pressing Publish on yesterday’s post, I realized the whole “forget the reader” thing was a lie.

I did not forget the reader. I did not forget that the writing I was doing was going to go out into the world. I knew, in the back if not the front of my mind, that what I wrote was going to be public. And it was that knowing that led me to write fiction.

During the first three months of 2015, I truly wrote as if nobody was reading. I wrote that way because nobody was reading. The words were kept safe in my composition books, and when I penned them, I wrote to myself. Journal entries, mostly, though some were free-writes from prompts. And during those three months, I didn’t write a word of fiction. Attempting fiction intimidated me, and it was too easy to slip into diary mode when I knew the entries would remain private.

When I knew those words would be released into the wild, though, when I vowed to publish a free write every day during the month of April, diary entries were off the table. So if I pulled a prompt from the box that would have been too “Dear Diary,” or that would have been a cliché personal story, or that I had no personal story for, fiction leaked out instead.

And that was the beauty of this project: it was the publicness of it that shaped the writing, and that permitted unexpected things to happen. At the paper level, I did stick to the rules of keep the pen moving, capture first thought, and do not self-edit during the ten minute writes. But at a higher level — at the ideas level — the awareness that the writing would be published started my pen in a different direction than if I knew from the get-go that the words would never be read.

At several points during the month, since the work was public and I therefore analyzed it more, I noticed patterns that I wanted to break, or I got bored with myself. How many posts am I going to write about food or nature? How many times have I written the words “I,” “my,” “me”? And if I was bored, surely someone else would be bored too. So when I pulled a prompt like “fingernail clippings” or “a receipt for flowers,” scenes presented themselves — scenes that included strangers and did not include me — and I wrote them. I don’t think I would have taken that leap in a private journal. I was not brave enough to attempt fiction. But now I know I can.

And with that, I will end my analysis. Thank you so much to all of you who contributed prompts, who read the posts, and who liked and commented — you kept me going when it was hard and scary, and your support gives me the courage to keep pressing Publish.


8 responses to “On second thought (Aprildaily post-mortem part 2)”

  1. As someone who writes mostly fiction, I think the type of writing you often do (personal essays) requires a lot more courage than fictional pieces. It’s extraordinarily brave to put yourself on the page/screen without the protective layer of being able to make things up and attribute thoughts and actions to pretend people. 🙂

  2. Thanks for sharing your April commitment with us, Andrea–not just the daily writing (which was wonderful), but also the courage and vulnerability. It was inspiring. I’m looking forward to see what comes next for you/us!

  3. I was inspired by your prompt box idea and made my own for 10 minute freewrites, and I found myself writing mostly fiction based on those words. Then again, that was kind of my purpose for doing so–I want to get back into creative writing but felt like I had no ideas. The prompt supplied the ideas, the rules of not stopping supplied the uninhibited freedom, and I’ve ended up with some good writing, some bad writing, and a hell of a lot of inspiration and story ideas.

  4. I understand completely what you are talking about. I’m caught somewhere in the middle, that is why the book I’m writing, “Strength, Love and Grace” is a work of fiction and nonfiction.

    I know the nonfiction part of my book, making it part fiction I can control how it ends and protect the privacy of my family.

    I admire your bravery moving forward.