Last Sunday night, my husband and I drove to nearby Roanoke for a jazz show. I didn’t look at who we were going to see — I figured I wouldn’t know who they were — I was just excited to go hear live music.
When we climbed the stairs inside The Jefferson Center, we expected to be directed into the 925-seat theater where we’d seen the Preservation Hall Jazz Band play a Christmas show. But instead, the usher guided us to continue down the hall to the end, where a bar was set up, and then to turn right through a corridor that snaked into a small room with maybe ten rows of folding chairs and a raised stage at the front. The ceiling was high — 20 or 30 feet above us — and long, black folds of fabric draped all of the walls. Two tables stretched along the back wall to offer up cheese plates, cake and cookies, and coffee. It felt cozy and intimate, like a little jazz club.
At 7 o’clock, the lights went down and the band came out. A tiny woman sat at the wooden grand piano to our left, two men took their places at the back of the stage on bass and drums, a silver-haired woman strapped on her saxophone, and a woman about my size entered last, trumpet in hand, and took center stage. Nobody spoke. She put the trumpet to her lips in the quiet. It sparkled in the spotlight. And when her music came out, I was blown away.
A woman trumpeter led the band. As I listened to this big sound come out of this small woman, walls fell down for me. Last night, I put on a Blue Note Edition jazz playlist on Spotify while my husband made dinner. I scanned the artists on the playlist, and as I scrolled, and scrolled, and scrolled, I saw maybe 3 women’s names. In 90 songs.
My heart soared as I watched her play. Every image I have of trumpeters is of men. I have no ambition to ever play the trumpet, but it’s hard to describe how meaningful it is to see someone who looks like you do something cool like this. I fell in love with her.
After a couple of songs, the bandleader introduced the band, and she introduced herself. “I’m Bria. Just google ‘Bria trumpet,’” she said with a smile. “It’s easier than trying to spell my name.” I did just that when I got home. Her name is Bria Skonberg, from Chilliwack in British Columbia.
She is fun, humble, and charming, and she is radiant on both trumpet and vocals. With each song, my heart grew bigger. She mentioned that she’d become a mom in the past five years, which made me love her even more. She sang an arrangement of John Lennon’s “Beautiful Boy,” which I used to sing to our son, and I had to get out my handkerchief to wipe my eyes.
At the end of the show, after we thought it was over and everyone was putting their coats on to leave, the lights went down again, and the band came back out with a special guest: a girl trumpeter from a local high school. Bria counted off, and gave the stage to the 17 year old. As the young trumpet player improvised and began to look a little nervous, I fell another layer deeper in love as Bria sensed her nerves, led her, and led the band to support her by calling out guidance, pulling the band together with eye contact and gestures and smiles, and near the end of the song, leading a call and response with their two trumpets. The audience rose from their seats and gave the student a standing ovation.
The sound in the space was clear as a bell, and the show was intimate, with maybe only 100 people in the room. It turns out the venue has a whole jazz series: Jazz Club at Jefferson Center. We’ve got tickets to a couple more upcoming shows. We had no idea we’d find a jazz scene in our little Appalachian mountain community. And Bria Skonberg is now in regular rotation on my Spotify.